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Repository Details

šŸŽ¹šŸŽøA music theory library with a command-line interface

Build Status Gem Version Maintainability Test Coverage

Coltrane

A music calculation library/CLI written in Ruby.

Coltrane

CLI (Command Line Interface)

Screenshot Screenshot

Features

  • Generate chord progressions for Jazz, Blues, Pop, or custom and see how to play them
  • Seek chords, see their notes and how to play them
  • Seek scales, see their notes and see how to play them
  • Find chords that are common between 2 scales
  • Find scales containing a chord or a set of notes
  • Find possible progressions of a chord sequence
  • All of the above can be seen on guitar, bass, piano or ukelele representations, no sheet music needed

How to discover a chord name using the notes

coltrane find chord by notes notes:C-E-G

CM:  C E G

To see it on guitar:

coltrane show chord chord:CM7 chord_representation:Guitar

CM:

   ā¬¤    ā¬¤  ā¬¤   ā¬¤    ā¬¤  ā¬¤   ā¬¤    ā¬¤             ā¬¤  ā¬¤
   ā”ā”ā”Æā”ā”Æā”ā”Æā”ā”Æā”ā”‘    ā”ā”ā”Æā”ā”Æā”ā”Æā”ā”Æā”ā”‘    ā”ā”ā”Æā”ā”Æā”ā”Æā”ā”Æā”ā”‘    ā”ā”ā”Æā”ā”Æā”ā”Æā”ā”Æā”ā”‘
3  ā”‚ ā¬¤ā”‚ ā”‚ ā”‚ ā”‚ 8  ā”‚ ā”‚ ā”‚ ā”‚ ā¬¤ā”‚ 3  ā”‚ ā¬¤ā”‚ ā”‚ ā”‚ ā¬¤1  ā”‚ ā”‚ ā”‚ ā”‚ ā¬¤ā”‚
   ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„
4  ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ 9  ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ 4  ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ 2  ā”‚ ā”‚ ā¬¤ā”‚ ā”‚ ā”‚
   ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„
5  ā”‚ ā”‚ ā¬¤ā”‚ ā¬¤ā”‚ 10 ā”‚ ā¬¤ā¬¤ā”‚ ā”‚ ā”‚ 5  ā”‚ ā”‚ ā¬¤ā”‚ ā¬¤ā”‚ 3  ā¬¤ā¬¤ā”‚ ā”‚ ā”‚ ā”‚
   ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„    ā”ā”ā”æā”ā”æā”ā”æā”ā”æā”ā”„
6  ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ 11 ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ 6  ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ 4  ā”‚ ā”‚ ā”‚ ā”‚ ā”‚ ā”‚
   ā”•ā”ā”·ā”ā”·ā”ā”·ā”ā”·ā”ā”™    ā”•ā”ā”·ā”ā”·ā”ā”·ā”ā”·ā”ā”™    ā”•ā”ā”·ā”ā”·ā”ā”·ā”ā”·ā”ā”™    ā”•ā”ā”·ā”ā”·ā”ā”·ā”ā”·ā”ā”™

PS: It looks way better on the terminal šŸ˜’, specially on iTerm

How to discover a Scale by providing chords

You shall provide chords separated by dashes (--chords CM7-Dm7-EM) or notes (--notes C-Ab-F-G).

For example:

coltrane find scale by chords chords:E6/9-BM

Pentatonic Major C(1) C#(3) D(3) D#(1) E(5) F(0) F#(4) G(2) G#(2) A(4) A#(0) B(5)
Blues Major      C(2) C#(4) D(3) D#(2) E(5) F(1) F#(4) G(2) G#(3) A(4) A#(1) B(5)
Harmonic Minor   C(3) C#(5) D(2) D#(4) E(4) F(3) F#(4) G(2) G#(5) A(3) A#(3) B(4)
Hungarian Minor  C(2) C#(6) D(2) D#(4) E(3) F(3) F#(5) G(1) G#(5) A(3) A#(4) B(4)
Pentatonic Minor C(1) C#(5) D(0) D#(4) E(2) F(2) F#(4) G(0) G#(5) A(1) A#(3) B(3)
Blues Minor      C(2) C#(5) D(1) D#(4) E(2) F(3) F#(4) G(1) G#(5) A(2) A#(4) B(3)
Whole Tone       C(3) C#(3) D(3) D#(3) E(3) F(3) F#(3) G(3) G#(3) A(3) A#(3) B(3)
Flamenco         C(3) C#(4) D(2) D#(5) E(3) F(3) F#(4) G(3) G#(5) A(2) A#(4) B(4)
Major            C(2) C#(4) D(4) D#(2) E(6) F(1) F#(5) G(3) G#(3) A(5) A#(1) B(6)
Natural Minor    C(2) C#(6) D(1) D#(5) E(3) F(3) F#(5) G(1) G#(6) A(2) A#(4) B(4)

When on terminal, the command above will highlight the Scales that have all needed notes. The number in the parenthesis show how many chord notes were included.

How to find common chords

You may use this command to find a chord that may serve as bridge to a different scale/key (i.e. modulation). Coltrane offers you a command to find common chords shared between both keys/scales. Here is how you use it. Say you wanna transition from C Major to D Natural Minor.

coltrane find common chords in scales

Dm:  D F A
Am:  A C E
Dm7: D F A C
Am7: A C E G
CM:  C E G
FM:  F A C
CM6: C E G A
FM6: F A C D
C6/9: C E G A D
F6/9: F A C D G
C6/9(add11): C E G A D F
[...]

You can also see the output in a graphical representation:

Dm:

ā”Œā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā”
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā”‚
ā”‚  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā”‚
ā”‚  ā•‘Dā™®ā•‘  ā•‘Fā™®ā•‘  ā•‘Aā™®ā•‘  ā•‘  ā•‘Dā™®ā•‘  ā•‘Fā™®ā•‘  ā•‘Aā™®ā•‘  ā”‚
ā””ā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā”˜

Am:

ā”Œā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā”
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā”‚
ā”‚  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā”‚
ā”‚Cā™®ā•‘  ā•‘Eā™®ā•‘  ā•‘  ā•‘Aā™®ā•‘  ā•‘Cā™®ā•‘  ā•‘Eā™®ā•‘  ā•‘  ā•‘Aā™®ā•‘  ā”‚
ā””ā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā”˜

[...]

Quickly generate chord progressions

coltrane show progression progression:Jazz representation:Piano root:A

Bm7: 

ā”Œā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā”
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚Fā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚Fā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ā™Æā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ā™Æā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā”‚
ā”‚  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā”‚
ā”‚  ā•‘D ā•‘  ā•‘  ā•‘  ā•‘A ā•‘B ā•‘  ā•‘D ā•‘  ā•‘  ā•‘  ā•‘A ā•‘B ā”‚
ā””ā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā”˜

E7: 

ā”Œā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā”
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚Gā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚Gā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ā™Æā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ā™Æā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā”‚
ā”‚  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā”‚
ā”‚  ā•‘D ā•‘E ā•‘  ā•‘  ā•‘  ā•‘B ā•‘  ā•‘D ā•‘E ā•‘  ā•‘  ā•‘  ā•‘B ā”‚
ā””ā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā”˜

A7: 

ā”Œā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā•„ā”€ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”¬ā”€ā”¬ā”€ā”
ā”‚ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚Cā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚Cā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”‚ā™Æā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā•‘ ā”‚ā™Æā”‚ā”‚ ā”‚ ā•‘ ā”‚ ā”‚ā”‚ ā”‚ā”‚ ā”‚ ā”‚
ā”‚ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ ā•‘ ā”•ā•„ā”™ā”•ā•„ā”™ā”•ā•„ā”™ ā”‚
ā”‚  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā•‘  ā”‚
ā”‚  ā•‘  ā•‘E ā•‘  ā•‘G ā•‘A ā•‘  ā•‘  ā•‘  ā•‘E ā•‘  ā•‘G ā•‘A ā•‘  ā”‚
ā””ā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā•Øā”€ā”€ā”˜

You can say Jazz, Pop, Blues, etc. You can also generate progressions in a custom way, using roman numerals:

coltrane custom progression progression_notation:I-vi-V-iidim representation:Text key:D

Generate fretboard sheets for improvising

Sometimes you wanna see the scale on guitar for improvising:

coltrane show scale scale:Pentatonic-Major tone:F

F Pentatonic Major:

E -- | F  -- G  -- A  -- -- C  -- D  -- -- F  -- G  -- A  -- -- C  -- D  --
A A  | -- -- C  -- D  -- -- F  -- G  -- A  -- -- C  -- D  -- -- F  -- G  --
D D  | -- -- F  -- G  -- A  -- -- C  -- D  -- -- F  -- G  -- A  -- -- C  --
G G  | -- A  -- -- C  -- D  -- -- F  -- G  -- A  -- -- C  -- D  -- -- F  --
B -- | C  -- D  -- -- F  -- G  -- A  -- -- C  -- D  -- -- F  -- G  -- A  --
E -- | F  -- G  -- A  -- -- C  -- D  -- -- F  -- G  -- A  -- -- C  -- D  --

             03    05    07    09       12       15    17    19

ProTip: You can force the guitar frets visualization for chords too using the --on guitar_frets option.

Finding the progression of a chord sequence

Perhaps this is the most complex operation that Coltrane performs. It searches the chords on all known scales, generates the progression notation and print in, sorted by notes left out. That is because most songs, specially knowadays, may use chords that contain notes which are outside of that scale.

This command us to analyze songs and discover what they have in common, even tho they have different notes.

Let's say we want to find the possible progressions of Red Hot Chili Pepper's Otherside:

coltrane find progressions from chords chords:Am-F-C-G

i-VI-III-VII   in A Natural Minor (0 notes out)
vi-IV-I-V      in C Major (0 notes out)
iii-I-V-II     in F Major (1 notes out)
vi-III-VII-IV  in D Hungarian Minor (1 notes out)
v-III-VII-IV   in D Natural Minor (1 notes out)
ii-VII-IV-I    in G Hungarian Minor (2 notes out)
ii-VII-IV-I    in G Natural Minor (2 notes out)
vii-V-II-VI    in A# Major (2 notes out)
iv-II-V-III    in D Pentatonic Minor (2 notes out)
v-II-VI-III    in D Blues Minor (2 notes out)
iii-I-IV-II    in F Pentatonic Major (2 notes out)
iv-I-V-II      in F Blues Major (2 notes out)

PS: Notice that vi-IV-I-V is the well known I-V-vi-IV progression, used in a lot of songs.

Interactive mode (shell)

Simply type coltrane or coltrane shell to enable interactive mode. You can then run commands without typing coltrane before, E.G.: scale D harmonic minor

Installation

$ gem install coltrane

PS: Once you install the gem the CLI is installed in your system and it's ready to be used.

Any questions? Feature requests? Bugs?

  1. Find me on Twitter. I'll be glad to answer.
  2. Open an issue.
  3. Join our chatroom

Extra

Contributing

How to contribute

  1. Fork this code
  2. Install the test suite (RSpec) by running good old bundle command
  3. Make your changes and maybe write a test or two.
  4. Check if specs pass bundle exec rspec spec
  5. Submit a PR.

License

The gem is available as open source under the terms of the MIT License.

by Pedro Maciel | twitter | [email protected]