TypOS
being an operating system for typechecking processes
Are the processes being typechecked? Are the processes doing the typechecking? Yes.
Still very much in the early stages of construction (may it never leave them!), TypOS is a domain-specific language for implementing type systems, based on an actor model (caveat emptor) of concurrent execution. Each region of source code is processed by an actor, implementing a typing judgement with a clearly specified interaction protocol. Actors may spawn other actors: child processes which correspond to the premises of typing rules. Actors communicate with one another along channels, in accordance with their stated protocol.
More details in this TYPES talk .
Installation
You will need to have the GHC
Haskell compiler and the cabal
tool on your system. To install, clone the repository, and execute
make install
This should give you a typos
executable to run.
What's in a TypOS program?
- descriptions of syntaxes
- declarations of judgement interaction protocols
- definitions of judgement actors
- example invocations of judgement actors
And when you press go, you get to watch the execution trace of your examples, as control flits about between a treelike hierarchy of actors, making progress wherever possible. We are still at a rudimentary stage: there is a lot which remains to be done.
What gets typechecked?
We have a very simple syntax for the stuff that gets processed by TypOS actors.
A name begins with an alphabetical character, followed by zero or
more characters which are alphabetical, numeric or _
. Names are
used in two ways:
- as variables, x, once they have been brought into scope
- as atoms,
'
x, whose role is to be different from each other
We build up structure by means of
- binding:
\
x.
term is a term which brings x into scope in term - pairing:
[
term|
term]
is a term with two subterms
There is a special atom, []
(pronounced "nil"), and we adopt the
bias towards right-nesting which has been prevalent since LISP
established it in the 1950s. That is, every occurrence of
|[
may be removed, provided its corresponding ]
is removed also.
It is typical, therefore, to build languages with terms of the form
['
tag subterm .. subterm]
.
Now, there is no particular ideological significance to this choice of LISP-with-binding. It is a cheap way to get started, but it is not an ideal way to encode languages with more complex scoping structure. When we need more, we shall review this choice.
Of course, LISP-with-binding is intended merely as a substrate: not all terms are expected to be meaningful in all situations. We provide various means of classification. Let us begin.
syntax
declarations
We start with a basic notion of context-free grammar. A syntax
declaration allows a bunch of nonterminal symbols to be mutually
defined. Here is an example, being a bidirectional presentation of
simply typed lambda-calculus.
syntax
{ 'Check = ['Tag [ ['Lam ['Bind 'Synth 'Check]]
['Emb 'Synth] ]
]
; 'Synth = ['Tag [ ['Rad 'Check 'Type]
['App 'Synth 'Check] ]
]
; 'Type = ['EnumOrTag ['Nat ]
[ ['Arr 'Type 'Type] ]
]
}
What are we saying? The terms you can 'Check
can be
lambda-abstractions but we also 'Emb
ed all the terms whose type we
can 'Synth
esize. The latter comprise what we call 'Rad
icals
(checkable terms with a type annotation) and 'App
lications where a
synthesizable function is given a checkable argument. E.g., the
identity function might be written ['Lam \x. ['Emb x]]
.
How have we said it? Following the keyword syntax
is a {;}
-list
of equations, each defining an atom by a term which happens to be a
syntax description. You can see some components of syntax
descriptions:
['Tag
..]
takes a list of pairs of atoms with lists of syntax descriptions, allowing us to demand exactly a list whose head is a tag and whose other elements are specified in a manner selected by the tag. So'Lam
and'Emb
are the tags for'Check
terms,'Rad'
and'App
for'Synth
terms.['EnumOrTag
..]
takes two lists: the first one enumerates the permissible atoms, that is, it admits any of of them, whereas the second again is a list of pairs of tags and syntax descriptions (in fact,['Tag
ts]
is syntactic sugar for[EnumOrTag []
ts]
; similarly['Enum
es]
is syntactic sugar for[EnumOrTag
es[] ]
). SoNat
on its own is a'Type
, and'Arr
is a tag demanding two further types.- Names of syntax declarations can occur recursively in syntax
descriptions: these are atoms which is the name of
a syntax, including the syntaxes defined in previous syntax
declarations, or the current syntax declaration. E.g., we see that
the
'Emb
tag should be followed by one'Synth
term, while the'Arr
tag should be followed by two'Type
s. ['Bind
..]
specifies a term of form\
x.
t. It takes an atom which determines the named syntax to which the x is being added, then a syntax description for the t.
Correspondingly, in our example above, the x
is classified as a
'Synth
term, and so must be 'Emb
edded as the 'Check
able body of
the 'Lam
bda abstraction.
The other permitted syntax descriptions are as follows:
['Nil]
admits only[]
.['Cons
head tail]
admits pairs[
h|
t]
where head admits h and tail admits t.['NilOrCons
head tail]
admits the union of the above two.['Atom]
admits any atom.['AtomBar *as*]
admits any atom, except those listed in as.['Fix \
x.
..]
takes a syntax description in which the bound x is treated as a syntax description, allowing local recursion.['Wildcard]
admits anything.
For a more exciting example, we take
syntax { 'Syntax = ['EnumOrTag
['Nil 'Atom 'Wildcard 'Syntax]
[['AtomBar ['Fix \at. ['NilOrCons 'Atom at]]]
['Cons 'Syntax 'Syntax]
['NilOrCons 'Syntax 'Syntax]
['Bind ['EnumOrTag ['Syntax] []] 'Syntax]
['EnumOrTag ['Fix \at. ['NilOrCons 'Atom at]]
['Fix \cell. ['NilOrCons ['Cons 'Atom ['Fix \rec. ['NilOrCons 'Syntax rec]]] cell]]]
['Enum ['Fix \at. ['NilOrCons 'Atom at]]]
['Tag ['Fix \cell. ['NilOrCons ['Cons 'Atom ['Fix \rec. ['NilOrCons 'Syntax rec]]] cell]]]
['Fix ['Bind 'Syntax 'Syntax]]]]
}
as the syntax description of syntax descriptions, using 'Fix
to
characterize the lists which occur in the ['AtomBar
..]
, ['Tag
..]
and ['Enum
.. ]
constructs.
Judgement forms and protocols
Before we can implement the actors which process our terms, we must
say which actors exist and how to communicate with them. Our version
of Milner's judgement-form-in-a-box names is to declare
name :
protocol. A protocol is a sequence of actions. Each
action is specified by
?
for input,$
for subject, or!
for output, followed by- the intended syntax description for that transmission, then
.
as a closing delimiter.
A subject is an untrusted input whose validity the judgement is intended to establish. Morally, when you send a subject, you also receive trust in that subject. If this trust has been misplaced, then it has at least been displaced.
For our example language, we have
type : $'Type.
check : ?'Type. $'Check.
synth : $'Synth. !'Type.
indicating that
type
actors receive only a'Type
subject;check
actors receive a'Type
, which they may presume is already valid, and a'Check
able term as a subject to check against the type; andsynth
actors receive a'Synth
esizable term as subject, then (we hope) transmit the (valid, we should ensure)'Type
synthesized for that term.
Our protocols are nowhere near as exciting as session types, offering
only a rigid sequence of actions to do (or die). For the moment, the
properties of inputs that actors rely on, and the properties of
outputs that actors guarantee, are not documented, let alone enforced.
In the future, we plan to enrich the notion of protocol with
contracts for every signal which is not the subject. A contract
should specify a judgement of which the signal is the subject. For
the above, we should let check
rely on receiving a 'Type
which
type
accepts, but demand that synth
always yields a 'Type
which
type
accepts.
That is, we plan to check the checkers: at the moment we check that actors stick to the designated interleaving of input and output operations, and that syntax descriptions are adhered to. Subjects can be marked as such, and are checked to be transmitted only from client to server.
TypOS actors
An actor definition looks like judgement@
channel =
actor.
The channel is the actor's link with its parent (so we often call it
p
) along which it must follow the declared protocol.
Here is a simple example:
type@p = p?ty. case $ty
{ 'Nat ->
; ['Arr S T] ->
( type@q. q!S.
| type@r. r!T.
)
}
This actor implements type
, with channel p
to its parent. Its
first action is p?ty.
to ask its parent for an input, which
comes into scope as the value of the actor-variable ty
. I.e.,
a receiving actor looks like channel?
actor-variable.
actor, which
performs an input on the given channel, then continues as the
actor with the actor-variable in scope. Actor variables stand for
terms, and may be used in terms as placeholders. Our actor has
received a type to validate. How does it proceed?
It performs a case
analysis on the structure of the type. The
actor construct is case
scrutinee {
pattern ->
actor ;
..}
.
We shall specify scrutinees and patterns in more detail shortly, but let us
continue the overview. The 'Nat
pattern matches only if ty
is exactly 'Nat
, and the action taken in that case is nothing
at all! The empty actor denotes glorious success! Meanwhile, the
pattern ['Arr S T]
matches any three element list whose head is
the atom 'Arr
: the other two elements are brought into scope as
S
and T
, respectively, then we proceed with the nonempty actor
to the right of ->
. What have we, now?
We have a parallel composition, actor |
actor, and both
components will run concurrently. The first begins by spawning
a new type
actor on fresh channel q
. Spawning looks like
judgement@
channel.
actor, and it is another sequential
process, forking out a new actor for the given judgement and naming
the channel for talking to it, before continuing as the given
actor with the channel in scope. The channel follows the
protocol dual to that declared for the judgement. Our first fork
continues by sending S
to q
. Sending looks like
channel!
term.
actor. That is, we have delegated the
validation of S
to a subprocess and hung up our boots, contented.
The second fork similarly delegates the validation of T
to another
type
actor on channel r
.
We have seen actors for receiving, sending, case analysis, parallel composition, and spawning. There is a little more to come. Let us have a further example:
check@p = p?ty. p?tm. case $tm
{ ['Emb e] -> synth@q. q!e. q?S. S ~ ty
; ['Lam \x. body] -> 'Type?S. 'Type?T.
( ty ~ ['Arr S T]
| \x. ctxt |- x -> S. check@q. q!T. q!body.
)
}
The check
actor follows the designated protocol, asking its parent
for a type ty
and a checkable term tm
. We expect tm
to match
one of two patterns. The first is the simpler ['Emb e]
. This matches an
embedded 'Synth
term, bound to e
, then spawns a synth
actor
on channel q
to determine the type of e
. That is, we send e
over
q
, then receive type S
in return. Our last act in this case is to
constrain S ~ ty
, i.e., we demand that the type synthesized is
none other than the type we were asked to check. The actor form term
~
term performs a unification process, attempting to make the
terms equal.
The ['Lam \x. body]
case shows a richness of features. Firstly,
the pattern indicates that the term must bind a variable, which the
term can name however it likes, but which the actor will think of as
x
. The pattern variable body
matches what is in the scope of x
.
As a consequence, body
stands for a term which may mention x
and
thus may be used only in places where x
is somehow captured. That
is, the use sites of actor variables are scope-checked, to ensure that
everything the terms they stand for might need is somehow in
existence. We have found the body of our abstraction. What happens
next?
It looks like we are making inputs S
and T
from the "syntactic
description 'Type
channel", and that is exactly what we are
doing! We request S
and T
from thin air. Operationally, TypOS
generates placeholders for terms as yet unknown, but which may yet be
solved, given subsequent constraints. Indeed, one of our subsequent
forked actors exactly demands that ty
is ['Arr S T]
, but we need
not wait to proceed. In parallel, we bind a fresh variable x
,
allowing us to spawn a check
actor on channel q
and ask it to
check that type T
admits body
(whose x
has been captured by our
binding). But we race ahead. A binding actor looks like \
variable .
actor.
It brings a fresh term variable into scope, then behaves like
actor for the duration of that scope.
Now, before we can check
the body
, we must ensure that synth
knows what to do whenever it is asked about x
. We have explored
various options about how to manage that interaction. The current
incarnation is to allow the declaration of stacks of
contextual data for free variables. The form
stackname |-
variable ->
term .
actor pushes the
association of term with variable into the context
stackname, then continues as actor. Before we can make use of
such a context, we must explain the syntactic descriptions involved in.
For our running example, we declare a context ctxt
which maps
variables of syntactic category 'Synth
to types, as follows:
ctxt |- 'Synth -> 'Type
In our example, we have ctxt |- x -> S. check@q. q!T. q!body.
, so
any actor which is a descendant of the check
actor on
channel q
will be able to access the S
associated with x
by
querying the ctxt
context. To see an example how, let us look at the synth
actor's definition.
synth@p = p?tm . case (lookup ctxt tm)
{ ['Just S] -> p!S.
; 'Nothing -> case $tm
{ ['Rad t ty] ->
( type@q. q!ty.
| check@r. r!ty. r!t.
| p!ty.
)
; ['App f s] -> 'Type?S. 'Type?T.
( synth@q. q!f. q?ty. ty ~ ['Arr S T]
| check@r. r!S. r!s.
| p!T.
)
}
}
We have only one new feature, which is invoked immediately after we have
received tm
. The scrutinee lookup
stackname term attempts to
access the context stackname, in this case ctxt
. Given that ctxt
maps 'Synth
variables to 'Type
, lookup ctxt
maps Synth
terms to
an optional value described by the syntax ['EnumOrTag ['Nothing] [['Just 'Type]]]
.
It will succeed if tm
stands for a free term variable with a context
entry in scope, and in that case, the returned term is of the form
['Just S]
where S
is the context entry associated to tm
.
As you can see, the actor synth
interprets the contextual data associated
with a free variable in ctx
as exactly the type to send back out.
If the term tm
is not a free variable, or if there is no associated
data in the context, the lookup
scrutinee returns 'Nothing
.
Here, we fall back on the hope that tm
might take one of the
two forms specified in the syntax of 'Synth
terms. For 'Rad
icals, we
concurrently validate the type, check that it accepts the term, and
deliver the type as our output. For 'App
lications, we guess source
and target types for the function, then concurrently confirm our guess
by constraining the output of synth
on the function, check the
argument at our guessed source type, and output our guessed target
type as the type of the application.
You have been watching
- guessing: syntax-desc
?
actor-variable.
actor - receiving: channel
?
actor-variable.
actor - sending: channel
!
term.
actor - casing:
case
scrutinee{
pattern->
actor;
..}
- forking: actor
|
actor - spawning: judgement
@
channel.
actor - constraining: term
~
term - extending: stackname
|-
variable->
term.
actor - winning:
and there's five more:
- plumbing: channel
<->
channel connects together two channels to forward on messages in both directions - let-binders:
let
actor-variable:
syntax-desc=
term.
actor - losing:
#
format-string - printing:
PRINTF
format-string - breaking:
BREAK
format-string
Scrutinees
The scrutinees of a case match can be:
- term: term
- pair of scrutinees:
[
scrutinee|
scrutinee]
- context lookup:
lookup
stackname term - terms comparison:
compare
term term
The compare
operator invokes a builtin total order on terms and returns
a term described by the syntax ['Enum ['LT 'EQ 'GT]]
. The comparison
result is of course stable under metavariable instantiations.
Patterns
The patterns you can write in a TypOS case
actor look like
- term variable: variable
- specific atom:
'
name - paired patterns:
[
pattern|
pattern]
- variable binding:
\
variable.
pattern - scope selection:
{
selection}
pattern - pattern binding: actor-variable
- happy oblivion:
_
where a selection (sometimes known dually as a thinning) selects a
subset of the variables in scope as permitted dependencies. Inside the
braces, you write either the list of variables you want to keep or the
list of variables you want to exclude then *
.
A term variable pattern matches exactly that term variable: we can
tell them apart from the pattern bindings of actor variables because
we can see where the term variable has been bound, whereas the actor
variable for a pattern binding must be fresh. E.g., we might want to
spot eta-redexes in our lambda calculus with the pattern
['Lam \x. ['Emb ['App {x*}f x]]]
. The f
is a pattern binding and
it matches any term not depending on x
. The x
is a bound variable,
and it matches only the variable bound by the \x.
At the binding sites of actor variables, TypOS detects which term
variables are in scope. TypOS further insists that everything which
was in scope at an actor variable's binding site is in scope at each
of its use sites. In the above example, we check that f
matches a
term in which x
plays no part, and we gain the right to use f
with
no x
in scope.
Substitutions
When we write terms in actors, we are really talking about terms,
with actor-variables standing for terms, generically. Now, we have
insisted that every term variable in scope at an actor-variable's
binding site must be captured at each of its use sites, and we have
seen that one way to do that is with another \
variable.
binding
with a matching name. However, we may also substitute such
variables.
We extend the syntax of terms with {
substitution}
term. A
substitution is a comma-separated list of components which look like
- definition: variable
=
term - exclusion: variable
*
- preservation: variable
Order matters: substitutions should be read from right to left as
actions on the scope we find them in. Definitions bring new variables
into scope, by defining them to be terms using only variables already
in scope. Exclusions throw variables out of scope. Preservations
retain variables from the present scope but only as their own images:
in {y=t,x}
, the t
may not depend on x
. A leftmost prefix of
preservations may safely be elided, so we need only say what is
changing at the local end of scope.
We may write substitutions anywhere in a term, but they act structurally on all the term constructs (acquiring an extra preservation at the local end wherever they go under a binder), piling up at the use sites of actor-variables, where their role is to reconcile any difference in scope with the binding sites of those variables.
Actors, channels, scope
Each actor knows about only those variables it binds itself. When
actors run, the terms which the actor-variables stand for will be
in a larger scope: the term variables mentioned in the actor's source
code will constitute the local end of that scope. Although the
lookup
construct enables the basic means to find out stuff about
free variables, only the actor which binds the variable can choose
what that stuff is. Ignorance of free variables makes it easier to
achieve stability under substitution. In particular, the fact that
case
patterns can test for only those free variables protected by their
binders from the action of substitution means that an actor's
case
choices cannot be changed by the action of substitution on its
inputs. There is some sort of stability property to be proven about
lookup
, characterizing the things it is safe to substitute
for free variables.
Meanwhile, channels also have a notion of scope, restricting the variables which may occur free in the terms which get sent along them. The scope of a channel is exactly the scope at its time of creation.
Operators
An expression of the form t -
[
'op ps ]
denotes the operator
with name given by the atom 'op, operating on the object t with
parameters the list ps. If the parameter list is empty, then the
square brackets should be omitted, i.e., the expression is simply
t -
'op.
For example, we have the builtin operators
f - ['app s]
t - ['when b]
for "applications" and "guarded" expressions, respectively. Operators
are declared with the keyword operator
, followed by a braces-enclosed,
semicolon-separated list of declarations of the form sd0 -
[
'op sds ]
:
sd1, where
- 'op is the atom for the name of the operator;
- sd0 is the syntax description of the object being operated on;
- sds is a list of syntax descriptions of the parameters of the operator; and
- sd1 is the syntax description of the result of the operation.
Since 'app
and 'when
are builtin operators, they do not need to be declared, but
this is how we would declare our own copies of them:
operator
{ (f : 'Wildcard) - ['myApp (t : 'Wildcard)] : 'Wildcard
; (a : A) - ['myWhen (b : ['Enum ['True 'False]])] : A
}
In the future, we might check more interesting semantic notions, but for now, we restrict ourselves to syntactic checks only.
The point of operators is that they may compute. Their reduction behaviour is
specified in an operator
block by reduction rules of the form
p ~> rhs
where p is a pattern of the form t0 -
[
'op0 ps0 ]
-
[
'op1 ps1 ]
-
... [
'opn psn ]
(to be read as associating to
the left) and rhs is a term possibly containing the pattern
variables introduced in p. Of course, p and rhs must follow the
syntax descriptions in the declaration of 'op0, ..., 'opn. The meaning of the
reduction rule is that terms matching p will be replaced by rhs
with pattern variables appropriately instantiated. For example, to
match the builtin behaviour of 'app
and 'when
, we can declare the
following reduction rules:
operator
{ (\ x. t) : 'Wildcard - ['myApp s] ~> {x=s}t
; t : A - ['myWhen 'True] ~> t
}
Multiple rules may be given for the same operator. We do not currently check if overlapping rules are confluent, so it is up to the rule writer to make sure this is the case.
Format strings
The actors PRINTF
, BREAK
and #
can be used to print messages to
the user: #
signifies failure, BREAK
halts execution to display a
message, and PRINTF
is often used to communicate success. Each of
these actors are followed by a format string enclosed in double quotes
", which may contain placeholders %r
, %i
, %s
, %S
, %e
, and
%m
, followed by a term for each %r
, %i
, and %s
placeholder in
the string. Newlines and tabs are represented by \n
and \t
respectively, and characters can be quoted by preceding them with a
backslash. The placeholders have the following meaning:
%r
: print "raw" term (without instantiating solved meta variables)%i
: print "instantiated" term%s
: print underlying term representation using Haskell'sshow
%S
: print current stack of virtual machine%e
: print current environment of bindings%m
: print current store of metavariable solutions
Executing actors
Actors are executed using the exec
command, in the context of all previous
declarations and definitions. After the actors have finished running, a
"typing derivation" is extracted and printed on the screen.
For example, running the actor
exec check@p.
p! ['Arr 'Nat 'Nat].
p! ['Lam \z. ['Emb
['App ['Rad ['Lam \w. ['Emb w]] ['Arr 'Nat 'Nat]]
['Emb z]]]].
gives rise to the following output:
check ['Arr 'Nat 'Nat]
['Lam \z. ['Emb ['App ['Rad ['Lam \w. ['Emb w]] ['Arr 'Nat 'Nat]]
['Emb z]]]]
\z_0. ctxt |- z_0 -> 'Nat.
check 'Nat ['Emb ['App ['Rad ['Lam \w. ['Emb w]]
['Arr 'Nat 'Nat]] ['Emb z_0]]]
synth ['App ['Rad ['Lam \w. ['Emb w]] ['Arr 'Nat 'Nat]] ['Emb z_0]] 'Nat
synth ['Rad ['Lam \w. ['Emb w]] ['Arr 'Nat 'Nat]] ['Arr 'Nat 'Nat]
type ['Arr 'Nat 'Nat]
type 'Nat
type 'Nat
check ['Arr 'Nat 'Nat] ['Lam \w. ['Emb w]]
\w_1. ctxt |- w_1 -> 'Nat.
check 'Nat ['Emb w_1]
synth w_1 'Nat
check 'Nat ['Emb z_0]
synth z_0 'Nat
By running typos INPUTFILE --latex OUTFILE
, the derivation above is written in
latex format to OUTFILE
as well. With commands redefined as in
the notations.tex file, this produces the following for
our example execution:
By running typos INPUTFILE --latex-animated OUTFILE
, we can also generate
an animated trace showing the flow of information during the type
checking/synthesis process. Inputs are coloured blue and outputs red.
Reusing the same notations.tex file, this produces the
following movie: